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TEXTS: AUTHENTICITY AND ACCURACYOriginal printings of scores often contained numerous inconsistencies, misspellings, mis-editing, errors, and other problems in the text.If possible, an authoritative edition(s) of the text itself was consulted.LIGHT TEXT EDITING FROM ORIGINAL SCORE PRINTING MAY INCLUDE:+Spellings, punctuation, capitalization, and form most often based on text sources unless modification by the composer is essential to the setting.+Hyphenation based on The Oxford English Dictionary.+Original spellings often used when texts are in a language such as Scots (as in Burns’ poetry).+Archaic terms retained, even if those terms may now be considered inappropriate or to be avoided, except in a very few scattered occasions.Most pdfs include the text in poetic form, using appropriate formatting, spacing, and indentation for artistic printed presentation in program notes. |
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PERFORMANCE PRACTICE: The part-song of this era is often thought to be unaccompanied, although piano accompaniment ad lib. was widely accepted. These editions assume unaccompanied performance and few include a piano part— avoiding redundancy and saving page space, on the premise that moderately advanced choirs require limited keyboard assistance. Some original publications include a simple voice-doubling reduction “ad lib”. Those reductions are not included in these editions. If desired, an “ad lib” accompaniment can be created from the open score at the discretion of modern performers. If the original score included an independent accompaniment or “ghost” notes within the voice parts (suggesting an accompaniment was intended), the edition includes a piano part. |